Me reading off 'Twas the Night Before Christmas' the pokemon edition. Here is the actual pokemon is all of its pokemon glory: Ash: Brrr! It's freezing out there. Misty: Close the door! Did you get more wood? Ash: Oh yeah! Hey what's that? Misty: It's a Christmas poem. "Twas The Night Before Christmas". I downloaded it from the internet. Ash: Ohh...I know this one! Twas the night before Christmas, and all through the house Not a creature was stirring, not even Meowth. Ash: Ha-ha! Brock: Eggnog's ready! Ash: Eggnog!? Misty: Yeah...Brock made eggnog and Christmas cookies. Ash: Alright! Brock: Oh, you guys are reading "The Night Before Christmas". Twas the night before Christmas and... Ash: Uh...I already read that part. Pick it up from here, Brocko. Brock: Right... The stockings were hung by the chimney with care In hopes that St. Nicholas soon would be there. Misty: The children were nestled, all snug in their beds While visions of Vileplumes danced in their heads. Brock: Mmm...Hey, uh, where d'you download this version from, Misty? Misty: Heh-heh... Ash: And my mom in her kerchief and Mr. Mime in my cap (And I think Professor Oak was there too) Had just settled their brains for a longer Winter's nap Misty: When out on the roof, there arose such a clatter Ash: Hey...what was that? Did anybody else hear that? Misty: I sprang from my bed to see what was the matter Brock: Away to the window I flew like a flash Tore open the shutter and saw Rapidash Ash: The moon on the breast ...
Sunday, January 15, 2012
Sunday, January 1, 2012
Choosing A Bar Rail Profile and Materials For Your Home Bar
Bar rails add the final touch to showcase your unique home bar design and can help you achieve a true pub feeling. The range of different styles for the bar rail profile is endless, and the width and depth of the rabbet joints vary to change the contour of the rail.
When choosing your profile style, one important consideration is whether or not you will be eating at the bar regularly. A profile with a lip where it joins with the bar top is great for keeping drinks from spilling onto the laps of your guests, but it can make eating at the bar uncomfortable. If you plan on eating at the bar a lot, consider installing a rail that provides a flat surface across the entire top.
The Bull Nose profile is a great choice if you want the bar top to be flat all the way across.
Match the Bar Rail to the Bar Top
Your rail should match the style and décor of your bar top. Your choices for your top are vast, and include things like: granite, glass, laminate, ceramic tile, copper, corian, marble, stainless steel, epoxy and resins, and custom artwork.
Contrasting colors and materials can make your home bar look really sharp, so don't be afraid to mix and match. For example, you could combine a granite top with a wood rail, copper with stone, wood with a brass bar rail, or tile with a vinyl rail (like at the old Eagle's Clubs). If you go with a wood rail, you could choose to contrast a Red Mahogany stain with a lighter Cherry color. If you decide to go for a more modern look and use a material like glass or granite, you might not even need a bar rail.
The vast majority of most bar railing is made out of wood. The rail can have a dramatic effect on the whole look and feel of your home bar, so choosing the highest quality of wood is important. It is perfectly acceptable to limit higher-grade wood to the key focal points of your home bar, and use lesser grade for the rest of the bar. Brazilian cherry is very popular right now, but mahogany, maple, oak, poplar, and ash also make good choices (just to name a few).
If you can't afford your desired material for the whole bar, consider using it just for the bar top or bar rail only. These are the showpieces that will truly make your home bar special.
To learn more about how to install a rail and choose a profile, check out the Bar Rail Basics for your Home Bar.
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Monday, December 26, 2011
Middle Or Georgian Period Architecture and Decoration
As the wealth of the Colonies increased, there was a gradual introduction of articles of additional comfort, if not those of some luxury, and the architecture reflects these conditions in the construction of more pretentious houses with larger rooms. We also notice crude attempts at introducing architectural moldings and ornamentation, with the occasional use of some color enrichment.
As the products of the printing press brought drawings and descriptions of the works of the well known English architects, such as Sir Christopher Wren, Chambers and others to America, an important and rather sudden advancement was made in the refinement of architectural detail, both on the interior as well as the exterior of houses, and the influence of
Classical art becomes strongly felt. The fireplace now becomes smaller, but great interest is centered about its decoration and the use of academic forms such as pilasters, columns, glass corner protectors, and entablatures, become common, and often unusual and interesting forms were introduced by the local carpenters who often constructed these features from memory.
The plank walls were superseded at first by an informal arrangement of paneling, which in turn gave place to the symmetrical compositions of wall treatment that were typical of Georgian England. The practice of covering the interior partitions with the woodwork, allowing the inside of the exterior walls of the house to be covered in plaster, persisted for many years, and the introduction of wallpaper was a convenient method of enriching the plaster surfaces.
The wood paneling was treated in light colored paints. This unbalanced treatment of the different sides of the same room lasted until the beginning of the nineteenth century. The wide plank floors of the early type of room eventually gave place to oak flooring in strip and parquet patterns. Elements besides English were found in other portions of the country.
Flemish and Dutch features were often prominent in buildings in Southern New York, Long Island and New Jersey, and we find French elements of interior decoration copied in many localities of the South. Due to the greater wealth of the South, attempts at formal architecture are found much earlier than in the North. Along the river banks of Virginia and the Carolinas, the social life developed to a point that was nearly equal of that of the old country. The diaries of visitors from foreign lands gave witness to the manner in which they were entertained by the leading families of these sections.
During the first quarter of the eighteenth century, we find the introduction of new types of furniture and door toppers as well as a change in the design of the earlier details. Copies were made of the English William and Mary, Queen Anne and pre-Chippendale forms. The rush seat chairs, having either a splat or banister-back, became exceedingly popular and were made in great quantities.
The banister-back had a split baluster used as a rail, usually with a flat side toward the front. Rocking chairs and upholstered wing arm chairs were first introduced about 1725. The Windsor chair of England was first made in this country about 1735 and received a much greater development here than it did in England. A great number of forms of the Windsor chair were produced, the principal ones being the loop, hoop, fan, comb and low-back. Windsor rockers were not introduced until the Revolutionary period.
The principal difference between the chairs of this type and those of similar type made in England was in the kinds of wood used and the additional splay given to the legs. The majority of American Windsors were painted and none of the early ones were made in mahogany. The colors used were often vivid greens and reds or blacks, often made to match ornamental pediment.
There were four types of bed design and they are characterized today by the terms four-poster, low-poster, tent and sleigh, the last named being introduced during the first quarter of the nineteenth century. The use of high-boys, low-boys and chests-on-chests closely followed their introduction in England.
Philadelphia seemed to have been the main center of manufacture of this type of furniture, although a local form, known as the "block front," was developed in New England by John Goddard of Newport, Rhode Island. The influence of Chippendale eventually became supreme and mahogany, which some authorities claim pre-dated its use in England, was employed by the cabinet makers for all types of furniture. The first use of veneered and inlayed finishes occurred at the beginning of the eighteenth century.
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